Bearing in mind that my best mate discussions regarding everything that revolves around the photo is none other than my stream of same thoughts, I want to start with as I tell you perceive the picture or, as I move to my thoughts about photography. It also seems obvious but I must say that given the one-sidedness del mio pensare tutto è estremamente contestabile e soggetto a variazioni date dal mutare delle circostanze che intrecciano il vivere; in ogni modo per il solo fatto che tutto ciò contribuisca alla buona riuscita di ogni mia foto penso, e in parte ne sono certo, che valga la pena di essere ascoltato o quanto meno valutato…per quanto mi riguarda, io credo fermamente in ogni parola del mio pensare, e spero che questo sia un buon inizio per il mio futuro.
Spesso ho pensato sulle diverse varianti di pensiero che riempiono le bocche dei vari fruitori di un qualsiasi mezzo meccanico atto alla registrazione istantanea della realtà arrivando più volte a riconoscermi nell’una or the other hypothesis, but with time and with the succession of new and personal ideas have come to define for me what is humanly possible, a conception that is at least close to the way I perceive things, and it is That is what my serious consideration more alive and strong, consideration and I would like to have the paternity with absolute certainty but about which I can not swear to it before me too many people have thought about why everything imaginable, but I like it same think it is solely the result of my thinking. Returning to the core of the speech, which perceiving, I would like to precisely define and explain the relationship this has with photography; first act of each recording of reality requires an artifact of our brain and thus makes artificial what is commonly referred to as real captured, correctly I think you should speak more than a real thought, not caught but then created, said that the act to impress on a any kind of support one aspect of what confronts us is nothing but the realization of our own speculation brain, a manifestation of unreality given by our imagination and made real recreated as a tangible reality and common, but the same fantasy as intangible at first but then becomes visible in a second so considerable as real, imagined to be real here; other consideration is that the veracity of what is shown in the photograph, I strongly believe that what stands before our eyes did not need to be scored as true or false should not be part of end user awareness of the existence of what he sees, not at all believe in the artistic and aesthetic meaning of things without necessarily having to know the nature that created it, then it must be said that materialized as a manifestation of our thought / idea, the picture should not be a victim of the absolute need and faithful reproduction of the real common / discounted / aim Indeed, as a representation / creation personal and subjective photography must be free from any claim purely realistic, of course, any excess in any direction is considered incorrect because a picture is a picture as a photo is not the reality we live and we constantly see ... photography thus becomes interpretation of reality through the criteria of our own personal perception, and as an individual subject to different types of modeling and recording. The image is not real common images and therefore the base material from which to start moving our thinking, then coming to shape every aspect and interpretation so as to arrive at more correct, accurate and real-time realization of the reality we imagined and perceived, precisely photography as a record of real thought.
RLV
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